The Asian Conference on Arts & Humanities 2017
Art Center Kobe, Kobe, Japan
Thursday, March 30 - Sunday, April 2, 2017
Abstract Submission Deadline: November 15, 2016
Registration Deadline for Presenters: February 15, 2017
Hear the latest research. Publish before a global audience. Present in a supportive environment. Network. Experience Japan. Join a global academic community.
The International Academic Forum (IAFOR), in conjunction with its global university and institutional partners, is proud to announce The Asian Conference on the Arts & Humanities 2017 (ACAH2017).
This international and interdisciplinary conference will act as a centre for academics, practitioners and professionals to discuss new research in the Arts & Humanities. ACAH2017 will create opportunities for the internationalisation of higher education and sharing of expertise. We invite professionals from all corners of the world to develop policies, exchange ideas, and promote new partnerships with organisations and peers.
The Asian Conference on the Arts & Humanities 2017 (ACAH2017) will be held alongside The Asian Conference on Literature 2017 (LibrAsia2017). Registration for either conference will allow attendees to attend sessions in the other.
Conference Theme: “History, Story, Narrative”
Historians are far from the only interested party in writing history. In a sense it is an interest we all share – whether we are talking politics, region, family birthright, or even personal experience. We are both spectators to the process of history while being intimately situated within its impact and formations.
How, then, best to write it? Is it always the victor’s version? Have we not begun increasingly to write “history from below,” that lived by those who are not at the top of the power hierarchy? Are accounts of history always gender-inflected, hitherto at least men rather than women? Who gets to tell history if the issue is colonialism or class? How does geography, the power of place, intersect with history? What is the status of the personal story or narrative within the larger frame of events?
This conference addresses issues of writing history from literary and other discursive perspectives. That is to say: novels, plays, poems, autobiography, memoir, diary, travel log, and a variety of styles of essay. One thinks of Shakespeare’s history plays, Tolstoy’s War and Peace, Shi Nai’an’s The Water Margin, Balzac’s La Comédie Humaine. It also addresses oral history, the spoken account or witness, Hiroshima survivor to modern Syrian migrant
Which also connects to the nexus of media and history. The great “historical” films continue to hold us, be it Eisenstein’s October: Ten Days That Shook the World (1925) or Gone with the Wind (1940). We live in an age of documentaries, whether film or TV. There is a view that we also inhabit “instant” history, the download to laptop, the app, the all-purpose mobile. How has this technology changed our perception, our lived experience, of history? What is the role of commemoration, parade, holiday, festival, or statuary, in the writing of history?
The different modes by which we see and understand history, flow and counter-flow, nevertheless come back to certain basics.
One asks whether we deceive ourselves in always asking for some grand narrative. Can there only be one narrator or is history of necessity a colloquium, contested ground? Is national history a myth? And history-writing itself: is it actually a form of fiction, an artifice which flatters to deceive? What, exactly, is a historical fact?
This conference, we hope, will address these perspectives and others which connect and arise.
Why join an IAFOR conference?
IAFOR Publishing Opportunities
The IAFOR Journal of Arts & Humanities is an editorially independent, open access journal associated with IAFOR’s arts & humanities conferences. A small number of papers from the Conference Proceedings will be selected by the journal editor(s) for reworking and revising, in line with normal processes of review. It is expected that between five and ten percent of papers included in any given Conference Proceedings will be developed for inclusion in the journal. The editor may also commission pieces or accept articles from the open call, subject to the same processes of peer review.
If your abstract is accepted and you have registered for the conference, you are encouraged to submit a full paper for inclusion in the official Conference Proceedings published on the website. Final papers should be uploaded through the submissions system in time for the submission deadline.
THINK, The Academic Platform, is IAFOR’s online magazine, publishing the latest in interdisciplinary research and ideas from some of the world’s foremost academics, many of whom have presented at IAFOR conferences. Content is varied in both subject and form, with everything from full research papers, to shorter opinion pieces, interviews, podcasts, film and photography.
IAFOR Arts & Humanities Conference Videos
IAFOR University & Institutional Partners
The International Academic Forum works with Institutional Partners to encourage the best in international, intercultural and interdisciplinary research at this conference.
We work closely with senior administrators and professors to develop programmes that are timely, thought-provoking and academically rigorous. It is through this global partnership alliance that our interdisciplinary conferences are backed by some of the world’s foremost institutions of learning. Read more about our partners.