The European Conference on Arts & Humanities 2017
The Jurys Inn Brighton Waterfront, Brighton, United Kingdom
Tuesday, July 11 - Wednesday, July 12, 2017
Abstract Submission Deadline: February 28, 2017
Registration Deadline for Presenters: June 1, 2017
Conference Theme: “History, Story, Narrative”
Historians are far from the only interested party in writing history. In a sense it is an interest we all share – whether we are talking politics, region, family birthright, or even personal experience. We are both spectators to the process of history while being intimately situated within its impact and formations.
How, then, best to write it? Is it always the victor’s version? Have we not begun increasingly to write “history from below,” that lived by those who are not at the top of the power hierarchy? Are accounts of history always gender-inflected, hitherto at least men rather than women? Who gets to tell history if the issue is colonialism or class? How does geography, the power of place, intersect with history? What is the status of the personal story or narrative within the larger frame of events?
This conference addresses issues of writing history from literary and other discursive perspectives. That is to say: novels, plays, poems, autobiography, memoir, diary, travel log, and a variety of styles of essay. One thinks of Shakespeare’s history plays, Tolstoy’s War and Peace, Shi Nai’an’s The Water Margin, Balzac’s La Comédie Humaine. It also addresses oral history, the spoken account or witness, Hiroshima survivor to modern Syrian migrant
Which also connects to the nexus of media and history. The great “historical” films continue to hold us, be it Eisenstein’s October: Ten Days That Shook the World (1925) or Gone with the Wind (1940). We live in an age of documentaries, whether film or TV. There is a view that we also inhabit “instant” history, the download to laptop, the app, the all-purpose mobile. How has this technology changed our perception, our lived experience, of history? What is the role of commemoration, parade, holiday, festival, or statuary, in the writing of history?
The different modes by which we see and understand history, flow and counter-flow, nevertheless come back to certain basics.
One asks whether we deceive ourselves in always asking for some grand narrative. Can there only be one narrator or is history of necessity a colloquium, contested ground? Is national history a myth? And history-writing itself: is it actually a form of fiction, an artifice which flatters to deceive? What, exactly, is a historical fact?
This conference, we hope, will address these perspectives and others which connect and arise.
For the fourth consecutive year, The European Conference on Arts & Humanities will be held alongside The European Conference on Media, Communication & Film. Registration for either of these conferences will allow participants to attend sessions in the other.
In conjunction with our global partners, we look forward to extending a warm welcome to you in Brighton.
The IAFOR Documentary Photography Award 2017
The IAFOR Documentary Photography Award is an international photography award which seeks to promote and assist in the professional development of emerging documentary photographers and photojournalists.
The Award is supported by The International Academic Forum (IAFOR), World Press Photo, British Journal of Photography and MediaStorm, and builds off of the strength of the IAFOR Documentary Film Award, now in its fifth year. Documentary has a rich history of exposing truths, telling stories, raising awareness and creating discussion — all practices valued at IAFOR.
This year’s Award will judged by a panel of leading professionals in the field of documentary photography and photojournalism, including our Founding Judge, Dr. Paul Lowe.
Winners will be announced at The European Conference on Media, Communication and Film 2017 in Brighton, England. The Award follows the theme of the conference, with 2017’s theme being “History, Story, Narrative”.
In supporting upcoming talent, the IAFOR Documentary Photography Award is free to enter.
All delegates attending ECAH/EuroMedia2017 will receive free entry to the award ceremony.
IAFOR Publishing Opportunities
The IAFOR Journal of Arts and Humanities is an editorially independent journal associated with IAFOR Conferences on arts and humanities. A small number of papers from the conference proceedings are selected by the journal editor. Articles may also be submitted directly by contacting the appropriate editor. These open access journals, which conform to the highest academic standards, reflect the interdisciplinary and international nature of our conferences and are organised thematically.
If your abstract is accepted and you have registered for the conference, you are encouraged to submit a full paper for inclusion in the official conference proceedings published on the website. Final papers should be uploaded through the submissions system. Please ensure that your paper is ready to go to press by the submission deadline.
THINK, The Academic Platform, is IAFOR’s online magazine, publishing the latest in interdisciplinary research and ideas from some of the world’s foremost academics, many of whom have presented at IAFOR conferences. Content is varied in both subject and form, with everything from full research papers, to shorter opinion pieces, interviews, podcasts, film and photography.
Why join an IAFOR conference?
IAFOR University & Institutional Partners
The International Academic Forum works with our partner institutions to encourage the best in international, intercultural and interdisciplinary research at this conference.
We work with senior administrators and professors to develop programmes which are timely, thought-provoking and academically rigorous. This global partnership alliance allows our interdisciplinary conferences are backed by some of the world’s foremost institutions of learning. Read more about our partners.