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IAFOR Conference Presentation Guide

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The Asian Conference on Literature 2017

Art Center Kobe, Kobe, Japan

Thursday, March 30 - Sunday, April 2, 2017


Abstract Submission Deadline: November 15, 2016

Registration Deadline for Presenters: February 15, 2017


 

Hear the latest research. Publish before a global audience. Present in a supportive environment. Network. Experience Japan. Join a global academic community.

The International Academic Forum (IAFOR), in conjunction with its global university and institutional partners, is proud to announce The Asian Conference on Literature 2017 (LibrAsia2017).

This international and interdisciplinary conference will act as a centre for academics, practitioners and professionals to discuss new research in Literature. LibrAsia2017 will create opportunities for the internationalisation of higher education and sharing of expertise. We invite professionals from all corners of the world to develop policies, exchange ideas, and promote new partnerships with organisations and peers.

The Asian Conference on Literature 2017 (LibrAsia2017) will be held alongside The Asian Conference on Arts & Humanities 2017 (ACAH2017). Registration for either conference will allow attendees to attend sessions in the other.

 

 


 

Conference Theme: “History, Story, Narrative”

 

Historians are far from the only interested party in writing history. In a sense it is an interest we all share – whether we are talking politics, region, family birthright, or even personal experience. We are both spectators to the process of history while being intimately situated within its impact and formations.

How, then, best to write it? Is it always the victor’s version? Have we not begun increasingly to write “history from below,” that lived by those who are not at the top of the power hierarchy? Are accounts of history always gender-inflected, hitherto at least men rather than women? Who gets to tell history if the issue is colonialism or class? How does geography, the power of place, intersect with history? What is the status of the personal story or narrative within the larger frame of events?

This conference addresses issues of writing history from literary and other discursive perspectives. That is to say: novels, plays, poems, autobiography, memoir, diary, travel log, and a variety of styles of essay. One thinks of Shakespeare’s history plays, Tolstoy’s War and Peace, Shi Nai’an’s The Water Margin, Balzac’s La Comédie Humaine. It also addresses oral history, the spoken account or witness, Hiroshima survivor to modern Syrian migrant

Which also connects to the nexus of media and history. The great “historical” films continue to hold us, be it Eisenstein’s October: Ten Days That Shook the World (1925) or Gone with the Wind (1940). We live in an age of documentaries, whether film or TV. There is a view that we also inhabit “instant” history, the download to laptop, the app, the all-purpose mobile. How has this technology changed our perception, our lived experience, of history? What is the role of commemoration, parade, holiday, festival, or statuary, in the writing of history?

The different modes by which we see and understand history, flow and counter-flow, nevertheless come back to certain basics.

One asks whether we deceive ourselves in always asking for some grand narrative. Can there only be one narrator or is history of necessity a colloquium, contested ground? Is national history a myth? And history-writing itself: is it actually a form of fiction, an artifice which flatters to deceive? What, exactly, is a historical fact?

This conference, we hope, will address these perspectives and others which connect and arise.

View Keynote Speakers, Featured Speakers and Conference Chairs

 


 

The IAFOR Vladimir Devidé Haiku Award Ceremony

 
ACAH LibrAsia 2014 Plenary Session and Haiku Award ceremony

LibrAsia2017 is the proud host of the IAFOR Vladimir Devidé Haiku Award Ceremony, which will be held during the Plenary Session. Now in its seventh year, the Award was founded and is judged by distinguished poet and Croatian Ambassador to Brazil, His Excellency Dr. Drago Štambuk. It prides itself on its indiscriminate acceptance of all forms of haiku, regardless of whether in the traditional or modern style. This international, broad and unrestricted approach attracted a record number of 680 submissions from 60 countries in 2016 and this year is set to be its most prolific yet.

Find haiku inspiration in our listings of previous winners and learn more about Dr. Drago Štambuk’s conception of the award here.

The Award is currently open for entries. Only unpublished haiku and one entry per person will be considered.

 

 


 

Haiku Workshop

 
The IAFOR Vladimir Devidé Haiku Award

This annual workshop gives a background and history to haiku, the Japanese form of poetry that has become popular the world over. It will include readings of some of the most famous examples, and will invite participants to write their own poems, under the guidance of one of Japan’s most prominent haiku poets.

The workshop is run by Councillors of the Haiku International Association, Emiko Miyashita, a prominent and widely published haiku poet, award-winning translator and secretary of the Haiku Poets Association International Department in Tokyo, and Hana Fujimoto, a member of the Japan Traditional Haiku Association and writer for the haiku magazine Tamamo.

 


 

Why join an IAFOR conference?

 

 


 

IAFOR Publishing Opportunities

 

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Journals

The IAFOR Journal of Literature and Librarianship is an editorially independent, open access journal associated with IAFOR’s Conferences on literature and librarianship. A small number of papers from the Conference Proceedings will be selected by the journal editor(s) for reworking and revising, in line with normal processes of review. It is expected that between five and ten percent of papers included in any given Conference Proceedings will be developed for inclusion in the journal. The editor may also commission pieces or accept articles from the open call, subject to the same processes of peer review.

 

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Conference Proceedings

If your abstract is accepted and you have registered for the conference, you are encouraged to submit a full paper for inclusion in the official Conference Proceedings published on the website. Final papers should be uploaded through the submissions system in time for the submission deadline.

 
 

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THINK

THINK, The Academic Platform, is IAFOR’s online magazine, publishing the latest in interdisciplinary research and ideas from some of the world’s foremost academics, many of whom have presented at IAFOR conferences. Content is varied in both subject and form, with everything from full research papers, to shorter opinion pieces, interviews, podcasts, film and photography.

 


 

IDFA Conference Screening

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As part of The Asian Conference on Media & Mass Communication (MediAsia), each year IAFOR hosts the IAFOR Documentary Film Award & Festival (IDFA).

The quality of submissions to our annual competition and the power behind these documentaries has been extremely impressive. The IDFA’s mission is to recognize and support documentarians in their efforts to expose truths and bring attention to the world’s untold stories.

IAFOR would like to honor the winners of the IDFA open competition with a series of screenings to be featured at our academic conferences throughout the year. Registered Delegates are invited to attend these screenings at no additional charge. IDFA screenings feature some of the most interesting and compelling documentaries relevant to the theme and spirit of our conferences. Please join us in celebrating the masterful work these documentarians have produced.

IDFA Screening Schedule:
(Screening Time(s) & Date(s) TBD)

 


 

The IAFOR Documentary Photography Award – 2016 Winners Screening

 

The IAFOR Documentary Photography Award 2016

The IAFOR Documentary Photography Award is an international photography award which seeks to promote and assist in the professional development of emerging documentary photographers and photojournalists.

The Award is supported by The International Academic Forum (IAFOR) – Asia’s Think Tank – and builds off of the strength of the IAFOR Documentary Film Award, now in its fifth year. Documentary has a rich history of exposing truths, telling stories, raising awareness and creating discussion — all practices valued at IAFOR.

Our 2016 award was judged by a panel of leading professionals in the field of documentary photography and photojournalism, including Paul Lowe, Simon Roberts and Ed Kashi.

Winners were announced at The European Conference on Arts & Humanities in Brighton, England. The Award followed the theme of the conference, with 2016’s theme being “Justice”

In supporting upcoming talent, the IAFOR Documentary Photography Award is free to enter.

All delegates receive free entry to the award screening.

Visit the IAFOR Documentary Photography Award website

 


 

IAFOR Conferences on Literature Videos

 

 

Watch more IAFOR Conferences on Literature videos

 


 

IAFOR University & Institutional Partners

The International Academic Forum works with Institutional Partners to encourage the best in international, intercultural and interdisciplinary research at this conference.

We work closely with senior administrators and professors to develop programmes that are timely, thought-provoking and academically rigorous. It is through this global partnership alliance that our interdisciplinary conferences are backed by some of the world’s foremost institutions of learning. Read more about our partners.