Editors

Editor: Dr Celia Lam

University of Nottingham Ningbo, China

Celia Lam is an Assistant Professor at the University of Nottingham Ningbo, China. She received a BMedia from the Macquarie University, Sydney and subsequently a PhD from the University of Sydney, Australia. Her research focuses on the cultural and aesthetic impact of digital technologies on media production and consumption, audience reception and fan studies. She also has an interest in mediated self-presentation. In 2012 she was awarded an Endeavour Award Post Doctoral Fellowship from the Australian Government to undertake research in Hong Kong. She is currently an Advisory Board Member for the Centre of Media and Celebrity Studies.


Associate Editor: Timothy W. Pollock

Osaka Kyoiku University & Hagoromo University of International Studies, Japan

Timothy W. Pollock currently lectures on film and visual culture at Osaka Kyoiku University and at Hagoromo University of International Studies, Japan. He received his BA in Religious Studies from the College of William & Mary, USA, and an MA in Applied Linguistics from Monash University, Australia. His research is focused on the development of standards and practices in classic Japanese cinema in general, and on the later films of Ozu Yasujiro in particular. He has also presented papers in subjects as diverse as education and ethics, all of which were structured around the idea of dramatic visual narratives. A long-time resident of Japan, he also worked as an assistant editor on the second edition of the Genius Japanese-English Dictionary.


Assistant Editor: Anna Krivoruchko

University of Southern California, USA

Anna Krivoruchko received her BA in Russian specialising in literature and MA in art history in Russia. Her keen interest in both literature and visual culture naturally resulted in a “Kandidat” dissertation on ekphrasis defended in 2009 at Tver’ State University, Russia, as well as in a number of articles. Later she immersed herself in law and literature studies and is currently finishing a doctoral dissertation in the Slavic Department at the University of Southern California, USA. Once again, her research appears interdisciplinary and cross-cultural as it brings together Russian and Anglophone literature and film.


Advisory Editor: Assistant Professor Jecheol Park

National University of Singapore, Singapore

Jecheol Park is Assistant Professor of Film Studies in the Department of English Language and Literature in the National University of Singapore, Singapore. His research and teaching interests include East Asian cinema, postcolonial and Third World cinema, aesthetics and politics in film and media, psychoanalysis and poststructuralist thoughts, and contemporary Korean visual culture. His essays have appeared in the journal Film Criticism and the collection World Cinema and the Visual Arts. He is currently working on a manuscript on the aesthetics and politics of affects in contemporary East Asian films entitled The Vicissitudes of Postnational Affects: Visuality, Temporality, and Corporeality in Global East Asian Films.


Editorial Board

H. Esra Arcan
Instanbul University, Turkey

Nazry Bahrawi
Singapore University of Design and Technology, Singapore

Vicki Callahan
USC School of Cinematic Arts, USA

Lucille Toth-Colombie
University of Southern California/EHESS, USA

Yann Descamps
Université Paris XII, France

Alastair Gornall
Singapore University of Design and Technology, Singapore

Anna Krakus
University of Southern California, USA

Eftihia Mihelakis
University of Montreal, Canada

Linda Mokdad
University of Iowa, USA

Panivong Norindr
University of Southern California, USA

Dahlia Petrus
University of Michigan, USA

Vincent Piturro
Metropolitan State University of Denver, USA

Nilanjan Raghunath
SUTD, Singapore

John David Rhodes
University of Sussex, UK

Olivier Roland
University of Southern California, USA

Ayako Saito
Meijigakuin University, Japan

Kevin Smets
University of Antwerp, Belgium

Chuan Yean Soon
Universiti Sains Malaysia, Malaysia