Tag: fantasy

IJMCF cover volume 6 issue 1

Now Published: Volume 6 Issue 1 of the IAFOR Journal of Media, Communication & Film

IAFOR Journal of Media, Communication & Film: Volume 6 – Issue 1 Editor: Dr Celia Lam, University of Nottingham Ningbo, China Published: August 01, 2019 ISSN: 2187-0667 https://doi.org/10.22492/ijmcf.6.1 Editor’s Introduction The IAFOR Journal of Media, Communication and Film (JMCF) is associated with IAFOR’s MediAsia, FilmAsia and EuroMedia annual conferences. JMCF is committed to publishing peer-reviewed

F

Falling for the Amphibian Man: Fantasy, Otherness, and Auteurism in del Toro’s The Shape of Water

Author: Alberta Natasia Adji, Edith Cowan University, Australia Email: aadji@our.ecu.edu.au Published: August 01, 2019 https://doi.org/10.22492/ijmcf.6.1.03 Citation: Adji, A. N. (2019). Falling for the Amphibian Man: Fantasy, Otherness, and Auteurism in del Toro’s The Shape of Water. IAFOR Journal of Media, Communication & Film, 6(1). https://doi.org/10.22492/ijmcf.6.1.03 Abstract Guillermo del Toro’s reputation as one of the world’s

I

IAFOR Journal of Media, Communication & Film: Volume 6 – Issue 1

IAFOR Journal of Media, Communication & Film: Volume 6 – Issue 1 Editor: Dr Celia Lam Published: August 01, 2019 ISSN: 2187-0667 https://doi.org/10.22492/ijmcf.6.1 Articles Digital War of South Korean Netizens in New York City: From Tweets to a Billboard Advertisement, and an Alt-Right Online Community Hojeong Lee, Temple University, USA The Internet and Activists’ Digital

W

Whose Story is This? The Non-existence of the External Gaze in David Lynch’s Films

Author: Asli Favaro, Ege University, Turkey Email: asli.favaro@ege.edu.tr Published: August 17, 2018 https://doi.org/10.22492/ijmcf.5.1.03 Citation: Favaro, A. (2018). Whose Story is This? The Non-existence of the External Gaze in David Lynch’s Films. IAFOR Journal of Media, Communication & Film, 5(3). https://doi.org/10.22492/ijmcf.5.1.03 Abstract The tendency to eschew a coherent narrative has been very common especially since the