Tag: China

IAFOR Journal of Cultural Studies Volume 5 Issue 1 cover image

Welcome to Volume 5 Issue 1 of the IAFOR Journal of Cultural Studies

Dear Readers, Welcome to this issue of the IAFOR Journal of Cultural Studies, whose publication coincides with the outbreak of the Covid-19 virus. At first, during late January and early February 2020, the world breathlessly stared at China, fascinated by the ill fate that had befallen its populace, deemed to be far removed from the

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Repair: Mongolian Art as Reimagination of the Pastoral Identity

Author: Jamie N. Sanchez, Biola University, USA Email: jamie.sanchez@biola.edu Published: April 4, 2020 https://doi.org/10.22492/ijcs.5.1.05 Citation: Sanchez, J. N. (2020). Repair: Mongolian Art as Reimagination of the Pastoral Identity. IAFOR Journal of Cultural Studies, 5(1). https://doi.org/10.22492/ijcs.5.1.05 Abstract Many Mongols in Northern China grapple with threats to their cultural identity. Ongoing economic development, rapid urbanization, Hanification, and

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IAFOR Journal of Cultural Studies: Volume 5 – Issue 1

IAFOR Journal of Cultural Studies: Volume 5 – Issue 1 Editor: Professor Holger Briel, Xi’an Jiaotong-Liverpool University, China Published: April 4, 2020 ISSN: 2187-4905 https://doi.org/10.22492/ijcs.5.1 Editor’s Introduction Welcome to this issue of the IAFOR Journal of Cultural Studies, whose publication coincides with the outbreak of the Covid-19 virus. Holger Briel, Editor-in-Chief, IAFOR Journal of Cultural

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Creative Confrontations: Exploring Activism, Surveillance, and Censorship in China and the United States

Authors: Elizabeth A. Brunner, Idaho State University, USA Kevin M. DeLuca, University of Utah, USA Email: : bruneliz@isu.edu Published: October 7, 2019 https://doi.org/10.22492/ijpbs.5.si.05 Citation: Brunner, E. A. & DeLuca, K. M. (2019). Creative Confrontations: Exploring Activism, Surveillance, and Censorship in China and the United States. IAFOR Journal of Psychology & the Behavioral Sciences, 5(si). https://doi.org/10.22492/ijpbs.5.si.05

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British Romanticism in China: Revised in Reception

Author: Li Ou Email: liou@cuhk.edu.hk Published: December 1, 2018 https://doi.org/10.22492/ijl.7.1.01 Citation: Li, O. (2018). British Romanticism in China: Revised in Reception. IAFOR Journal of Literature & Librarianship, 7(1). https://doi.org/10.22492/ijl.7.1.01 Abstract This paper first looks at the etymology and definition of the term ‘Romanticism’ in English and Chinese respectively to show their considerable disparity, and then

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IAFOR Journal of Literature & Librarianship: Volume 7 – Issue 1

IAFOR Journal of Literature & Librarianship: Volume 7 – Issue 1 Editor: Richard Donovan, Kansai University, Japan Published: December 1, 2018 ISSN: 2187-0608 https://doi.org/10.22492/ijl.7.1 Articles British Romanticism in China: Revised in Reception Li Ou The (Hi)story of the Encounter: The Historical and the Personal in Nicolas Bouvier’s The Japanese Chronicles Halia Koo Marguerite Yourcenar, from

William Lindesay OBE Wild Wall China

William Lindesay OBE gives Keynote Presentation at MediAsia2017

William Lindesay OBE was a Keynote Speaker at The Asian Conference on Media, Communication & Film 2017 (MediAsia2017), and delivered a presentation on the Great Wall of China, a subject on which he is considered the world’s preeminent expert. A cultural geographer, historian and conservationist, as well as author and filmmaker, Mr Lindesay spoke of